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The Boy from Kyiv

Alexei Ratmansky's Life in Ballet

ebook
1 of 1 copy available
1 of 1 copy available

Named a Best Book of the Year by NPR and The New Yorker
The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time.

"A revelatory book about how [Ratmansky] evolved into the internationally sought-after choreographer of the moment . . . A must-read."
— Martha Anne Toll, NPR
Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world's most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form.
But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.
In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky's fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky's journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist's ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet's enduring vitality.

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    • Library Journal

      May 1, 2023

      Born in Kyiv and trained at the Bolshoi Academy in Moscow, Ratmansky was named artistic director of the Bolshoi Ballet at the young age of 35, then became resident choreographer at the American Ballet Theatre; in Fall 2023, he joins the New York City Ballet as Artist in Residence. Dance journalist Harss explores not just Ratmansky's ever-rising career and distinctive style, which blends Western and Russian influences, but his outspoken opposition to Vladimir Putin and championing of Ukraine. With a 20,000-copy first printing. Prepub Alert.

      Copyright 2023 Library Journal

      Copyright 2023 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      July 24, 2023
      Dance critic Harss traces the life of dancer-turned-choreographer Alexei Ratmansky in her impressively detailed debut. An explosive mix of talent, ambition, and “utter devotion” to ballet propelled Ratmansky from a humble childhood in Kyiv to rigorous training at the Bolshoi Ballet School in Russia and international tours as a principal dancer in different companies. He found his calling as a choreographer in 2003 when he developed a ballet for the Bolshoi Ballet company that became a “surprise success” and thereafter devoted himself to “making ballets with as much artistic freedom as possible” and developing a style characterized by clean lines, playfulness, and movement “that is neither pure nor fully story driven.” According to Harss, Ratmansky’s ballets express “ideas and images and feelings, but it would be almost impossible” to capture the precise narrative. While Ratmansky’s productions have never explicitly centered politics, his heritage reveals itself more subtly in his work: for example, he created Songs of Bukovina, based on Ukrainian folk material, in 2017, when the country was fighting Russian interference. While the author’s admiration for her subject sometimes devolves into flattery (ballet is the “language in which he feels more conversant... the air he breathes”), it’s a pleasure to follow Ratmansky’s career, which is brought to life by Harss’s deep research. Dance aficionados will delight in this vibrant portrait.

    • Kirkus

      August 15, 2023
      The career of an acclaimed choreographer. Dance writer Harss makes a lively book debut with an appreciative, richly detailed, generously illustrated biography of dancer and choreographer Alexei Ratmansky, formerly director of the Bolshoi Ballet, artist in residence at the American Ballet Theatre, and presently artist in residence at the New York City Ballet. Born in Leningrad in 1968 to Ukrainian parents, he began studying dance at the famed Bolshoi Academy. Because students from the Soviet republics were referred to by their place of origin, the young Alexei became known as "the boy from Kyiv." Harss recounts the trajectory of Ratmansky's dancing career: the National Ballet of Ukraine, which sent him touring to Western Europe, Japan, and Mexico; the Royal Winnipeg Ballet, where he was promoted to principal dancer; and the Royal Danish Ballet. Besides dancing, he began to create works, and by the end of 2002, he had made nearly 30 ballets, including two full-length pieces. Invited to become the director of the Bolshoi Ballet in 2003, Ratmansky faced a difficult challenge: The venerable company, with nearly 230 dancers, was suspicious of him. At first, his strategy "was to simply ignore the grumblings and keep moving forward," but the struggle wore him down. In 2009, he accepted an invitation from the American Ballet Theatre. Harss insightfully chronicles Ratmansky's works, many characterized by "youthful nonchalance" and irreverent charm, others paying homage to acclaimed choreographers such as Petipa and Bournonville. Ratmansky, Harss writes, "is a playful absurdist, an artist who combines the oddity of Lewis Carroll and Daniil Kharms with the glow of Tiepolo and the vulnerability of Mozart." Although Ratmansky has drawn from international influences, Russia's invasion of Ukraine in 2022 has inspired in him "a sense of belonging," he told Harss, "and it's something very new to me. I feel it is my duty to support Ukrainian culture." A delightful gift for ballet fans.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      September 15, 2023
      Alexei Ratmansky is one of this century's most renowned choreographers and this is the first biography about him. Ratmansky danced around the world with the National Ballet of Ukraine, Royal Winnipeg Ballet, and Royal Danish Ballet and created original ballets for the Mariinsky Ballet, New York City Ballet, and San Francisco Ballet, among others. In 2004, he was named artistic director of the Bolshoi Ballet, a position he held until 2008 when he became resident choreographer at American Ballet Theatre, where he choreographed nearly a score of ballets. This year, he joined the New York City Ballet as artist-in-residence. His choreography includes many original works, as well as reimaginings of classics like the Nutcracker and Sleeping Beauty and rediscoveries of "lost" ballets. Harss has written an appreciative, carefully researched biography, made more appealing because she interviewed her subject and those around him and watched him in rehearsal and performance over a period of years. Anyone worried that "ballet is dead" need look no further than the story of this acclaimed and accomplished artist.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

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