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Indian Giver

ebook
1 of 1 copy available
1 of 1 copy available

"Poetry at its most satirical and courageous. A tremendous book."—Seamus Heaney

"Few voices in American literature are so honest and daring."—Mark Strand

"One of our most brilliant poets."—Roxanne Dunbar-Ortiz

"I feel the primal grain and temper of the genuine here."—William Heyen

"A lament, a protest, an inextinguishable song."—Sherod Santos

"Among the best and most original poets in America."—Stanley Kunitz

"Nothing short of splendid."—Robert Nazarene

"The kind of energy found in the poems of William Carlos Williams and Gary Snyder."—Joseph Bruchac

These poems tell harsh truths of hopelessness and genocide. The confusion of children whose religion is forbidden; the ironic poverty of a lottery winner; an alternate American history in which Columbus turns and sails away—in deceptively simple language, we hear the protest of survivors. "'Indian' is not a derogatory word. It's what we call ourselves."

AFTER A SERMON AT THE CHURCH OF INFINITE CONFUSION

At ten, Mary Caught-in-Between
came home from sunday school,
told every animal and bird and fish
they couldn't talk anymore,
told her drum it couldn't sing anymore,
told her feet they couldn't dance anymore,
told her words they weren't words anymore,
told Raven and Coyote they weren't gods anymore,
said god was a starving white man
with long hair and blue eyes and a beard
who no one loved enough to save
when they nailed him to a totem pole.

John Smelcer has written over forty books of poetry and prose. He is a member of the Alaskan Ahtna tribe.

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    • Booklist

      April 1, 2016
      The author of more than 40 books of poetry, fiction, and native-studies nonfiction, Smelcer is a renowned activist for the Ahtna community in southern Alaska and the only member of his tribe fluent in reading and writing its native language. Smelcer's work is devoted to the double convictions of writing against mainstream culture from a Native American perspective and refuting the stereotypes of old westerns. As he reminds readers in one poem, Not all Indians ride horses. Smelcer takes pleasure in these deceptively simple points of clarification and offers humorous commentary on historical documents, such as a Template for Treaties between the United States of America and Indian Tribes and an abandoned draft of the Constitution. Smelcer revels in the absurdity of legal claims to native land, and his work rides into darkly cynical territory in poems like Indian Scalper, in which Jessie BlackHawk sells tickets outside a Redskins game, and Recipe for a Reztini, which includes two shots of cheap gin and a drive around Dead Man's Curve. A poignant, discomfiting, necessary collection.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

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